- Title Pages
- Dedication
- Epigraph
- Foreword
- Editor’s Introduction
- Acknowledgments
- Slavoj Žižek in Ramallah
- Alain Badiou in Haifa
- Judith Butler in Sheikh-Jarrah
- A Manifesto for the Jewish-Palestinian Arabic-Hebrew State
- Why We Support Boycott, Divestment, and Sanctions
- The Star of Redemption with a Split ℵ
- Samson the Non-European
- Pnay El (Face of God)
- Jocasta’s Dream
- The Specters of a Borrowed Village
- For Palestine Is Missing from Palestine
- The Fish Who Became a Shahid
- Jenin and Homeopathy
- A Murder Is a Murder Is a Murder
- Trust Your Dreams
- Thus Spoke the Left
- The Betrayal of the Peace Camp
- From Now On Say I Am a Palestinian Jew
- And Who Shall I Say Is Calling?
- Come Out of Your Political Closets
- This Time It’s Not Funny!
- Elementary, My Dear Schnabel
- What Do You Mean When You Say “Left”?
- An Angel Under Siege
- Local Angel
- Holy Language, Holy Place
- Forgiveness
- An Angel I Borrowed
- Stabat Mater
- “The Jew Is Within You, But You, You Are in the Jew”
- What Does a Jew Want?
- “I will tremble the underground”
- Angel for a New Place
- The Four Dimensions of Art
- Existence on the Boundary
- There are some muffins there if you want. …
- Oh, Weakness; or, Shylock with a Split S
- Jenin in Wonderland
- Pledge to Our Language
- We Lacked a Present
- An Opening for an Interview
- Who Is a Terrorist?
- A Man Goes
Jenin in Wonderland
Jenin in Wonderland
- Chapter:
- (p.242) Jenin in Wonderland
- Source:
- What Does a Jew Want?
- Author(s):
Aloni Udi
- Publisher:
- Columbia University Press
In this tribute to Juliano Mer Khamis, who founded the Freedom Theatre at the heart of the Jenin refugee camp with Zakaria Zubeidi, the author comments on the theatrical performance of Alice in Wonderland, directed by Mer Khamis himself. He reflects on the role of art through theater in the struggle against the Israeli Occupation of Palestinian territories and cites Mer Khamis's other directorial work, Death and the Maiden. Finally, he recalls Mer Khamis's reply when asked what he had learned from the double experience inside the 1948 borders and as a director of Palestinian theater: “The Palestinian audience is prepared to see, experience, and hear texts that are much more audacious than those which Palestinian creators are willing—or dare!—to put before it. But a new generation of creators has arisen; they don't self-censor, they don't reign themselves in, not with regard to the Occupation and not with regard to the internal, repressive tradition.”
Keywords: theater, Juliano Mer Khamis, Freedom Theatre, Jenin refugee camp, Alice in Wonderland, Israel, Palestine, Death and the Maiden, Israeli Occupation
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- Title Pages
- Dedication
- Epigraph
- Foreword
- Editor’s Introduction
- Acknowledgments
- Slavoj Žižek in Ramallah
- Alain Badiou in Haifa
- Judith Butler in Sheikh-Jarrah
- A Manifesto for the Jewish-Palestinian Arabic-Hebrew State
- Why We Support Boycott, Divestment, and Sanctions
- The Star of Redemption with a Split ℵ
- Samson the Non-European
- Pnay El (Face of God)
- Jocasta’s Dream
- The Specters of a Borrowed Village
- For Palestine Is Missing from Palestine
- The Fish Who Became a Shahid
- Jenin and Homeopathy
- A Murder Is a Murder Is a Murder
- Trust Your Dreams
- Thus Spoke the Left
- The Betrayal of the Peace Camp
- From Now On Say I Am a Palestinian Jew
- And Who Shall I Say Is Calling?
- Come Out of Your Political Closets
- This Time It’s Not Funny!
- Elementary, My Dear Schnabel
- What Do You Mean When You Say “Left”?
- An Angel Under Siege
- Local Angel
- Holy Language, Holy Place
- Forgiveness
- An Angel I Borrowed
- Stabat Mater
- “The Jew Is Within You, But You, You Are in the Jew”
- What Does a Jew Want?
- “I will tremble the underground”
- Angel for a New Place
- The Four Dimensions of Art
- Existence on the Boundary
- There are some muffins there if you want. …
- Oh, Weakness; or, Shylock with a Split S
- Jenin in Wonderland
- Pledge to Our Language
- We Lacked a Present
- An Opening for an Interview
- Who Is a Terrorist?
- A Man Goes