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Rising Sun, Divided LandJapanese and South Korean Filmmakers$
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Kate Taylor-Jones

Print publication date: 2013

Print ISBN-13: 9780231165853

Published to Columbia Scholarship Online: November 2015

DOI: 10.7312/columbia/9780231165853.001.0001

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Film Analysis

Film Analysis

HANA-BI

はなび

Chapter:
(p.116) Film Analysis
Source:
Rising Sun, Divided Land
Author(s):

Kate E. Taylor-Jones

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231165853.003.0010

This chapter analyzes Kitano Takeshi's film Hana-bi (Fireworks, 1997), which revolves around detectives Nishi, Horibe, Nakamura, and Tanaka. The film achieved tremendous success on the international stage with twenty-one awards and six nominations from film festivals and competitions, and it confirmed Kitano's place as one of the leading Japanese filmmakers in the eyes of the global audience. Violent and often sad, Hana-bi also offers a sense of the love and care that can exist even in death. It presents a notion of “furious peace” reflecting sadness, violence, and anger amidst an often beautiful, funny, and musing on the nature of life and death.

Keywords:   Japanese films, Japanese film directors, filmmakers, Kitano Takeshi, Hana-bi, life, death

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