Jump to ContentJump to Main Navigation
Industry and IntelligenceContemporary Art Since 1820$
Users without a subscription are not able to see the full content.

Liam Gillick

Print publication date: 2016

Print ISBN-13: 9780231170208

Published to Columbia Scholarship Online: May 2017

DOI: 10.7312/columbia/9780231170208.001.0001

Show Summary Details

Nostalgia for the Group

Nostalgia for the Group

Chapter:
(p.111) Fourteen Nostalgia for the Group
Source:
Industry and Intelligence
Author(s):

Liam Gillick

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231170208.003.0014

Maybe it’s possible to explain the discursive cultural framework within a context of difference and collectivity, “difference” being the key word that defines our time and “collectivity” being the thing that is so hard to achieve while frequently being so longed for. We have to negotiate and recognize difference and collectivity simultaneously. It is an aspect of social consciousness that is exemplified in the art context. Difference and collectivity as social definitions and processes of recognition feed from the examples of modern and ​contemporary art. Art is nurtured and encouraged in return via cultural permission to be the space for what cannot be tolerated but can be accommodated under the conditions of neoliberal globalization.

Keywords:   difference, collectivity, contemporary art, neoliberal globalization

Columbia Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us .