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Installation and the Moving Image$
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Catherine Elwes

Print publication date: 2015

Print ISBN-13: 9780231174503

Published to Columbia Scholarship Online: November 2015

DOI: 10.7312/columbia/9780231174503.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Installation and the Moving Image
Author(s):

Catherine Elwes

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231174503.003.0013

This book explores the frequent co-incidence of installation and the moving image—two irreconcilable artistic practices—in galleries and museums. More specifically, it traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s. It argues that moving-image installation embodies the perceptual doubleness of the spectator, the human ability to suspend disbelief and entertain two realities simultaneously. It also discusses the arguments of experimental film's detractors and counters them by indicating the lessons that may be derived from oppositional film practices, particularly structural/materialist film. Finally, it considers sound, a component of installed work that is often overlooked, along with the procedural, political, theoretical, and ideological positions espoused by artists in the period from the mid-twentieth century to the present.

Keywords:   installation, moving image, architecture, painting, sculpture, cinema, countercultural film, video, experimental film, sound

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