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A Hunger for AestheticsEnacting the Demands of Art$
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Michael Kelly

Print publication date: 2012

Print ISBN-13: 9780231152921

Published to Columbia Scholarship Online: November 2015

DOI: 10.7312/columbia/9780231152921.001.0001

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PRINTED FROM COLUMBIA SCHOLARSHIP ONLINE (www.columbia.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CUPSO for personal use.date: 19 October 2019

The Pop Effect

The Pop Effect

Chapter:
(p.25) 1 The Pop Effect
Source:
A Hunger for Aesthetics
Author(s):

Michael Kelly

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231152921.003.0001

This chapter examines the nascent collaboration between aesthetics and contemporary art by focusing on the critical reception of the emergence of American Pop art in the early 1960s by four philosophers: Susan Sontag, Stanley Cavell, Arthur C. Danto, and Umberto Eco. In particular, it considers the influence of these philosophers on aesthetics—what it calls the Pop Effect. Sontag, Cavell, Danto, and Eco all realized that Pop was a development within art that aesthetic theory at the time could not understand or explain because most aestheticians had not yet fully appreciated the philosophical significance of the history of modernism and were thus ill-prepared to comprehend 1960s art. To analyze the collaboration between aesthetics and contemporary art in the 1960s, the chapter looks at Thomas Crow's book The Rise of the Sixties: American and European Art in the Era of Dissent. It also discusses the ethics and politics of Pop in relation to its aesthetics.

Keywords:   aesthetics, contemporary art, Pop art, Susan Sontag, Stanley Cavell, Arthur C. Danto, Umberto Eco, Pop Effect, ethics, politics

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