The Salcedo Effect
The Salcedo Effect
This chapter examines the so-called Salcedo Effect—attributed to Doris Salcedo—in relation to aesthetics. Salcedo is a contemporary artist from Columbia who has created contemplative, public, affective spaces that elicit compassion for human victims of violence, suffering, or death. Through her artistic practices, Salcedo has successfully resisted the anti-aesthetic stance even while being identified with it. A sculptor who has exhibited worldwide, Salcedo constructs social sculptures and installations aimed at “giving form to society through art” and integrating political awareness with art. To understand Salcedo's art, the chapter considers the aesthetic strategies she utilizes in her art. It also discusses the anti-aesthetic language prevalent in many discussions of Salcedo's work and explores how Salcedo's artwork enacts suffering and if so, whether it is enough to deem it politically and morally effective—the Salcedo Effect. Finally, it takes into account the role of aesthetics in Salcedo's success.
Keywords: aesthetics, Salcedo Effect, Doris Salcedo, contemporary art, suffering, anti-aesthetic stance, social sculpture
Columbia Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us .