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Literature and Film in Cold War South KoreaFreedom's Frontier$
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Theodore Hughes

Print publication date: 2014

Print ISBN-13: 9780231157490

Published to Columbia Scholarship Online: November 2015

DOI: 10.7312/columbia/9780231157490.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Literature and Film in Cold War South Korea
Author(s):

Theodore Hughes

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231157490.003.0007

This introductory chapter frames the post-1945 South Korean literary movement within the division of the Korean peninsula in 1945 under the Soviet and U.S. military occupations in North and South, as well as the subsequent inauguration of separate, competing sovereign regimes in 1948—the organization of the colonial past and the excision of the North thus set in motion a multilayered, shifting politics of what could be seen or spoken. In particular, Cold War South Korean statism (itself a rearticulation of the colonial statism that preceded it) relied on a visual order increasingly bound up, in turn, with the biopolitics of “free world” developmentalism. Within this context, post-1945 cultural forms find ways to address the display of “South Korea” as a postcolonial, developmentalist space at once opposing and mirroring its northern counterpart in the global Cold War.

Keywords:   South Korea, developmentalism, Cold War, statism, South Korean literary movement, biopolitics

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