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Knock Me Up, Knock Me DownImages of Pregnancy in Hollywood Films$
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Kelly Oliver

Print publication date: 2012

Print ISBN-13: 9780231161091

Published to Columbia Scholarship Online: November 2015

DOI: 10.7312/columbia/9780231161091.001.0001

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PRINTED FROM COLUMBIA SCHOLARSHIP ONLINE (www.columbia.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CUPSO for personal use.date: 13 June 2021

Pregnant Horror

Pregnant Horror

Gestating the Other(s) Within

Chapter:
(p.110) 4 Pregnant Horror
Source:
Knock Me Up, Knock Me Down
Author(s):

Kelly Oliver

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231161091.003.0005

This chapter studies the various horror fantasies of women's role in reproduction and their reproductive choices. Pregnant horror films exhibit anxieties over women's reproductive capacities and desires, most prominently the fantasy of women's wombs nurturing evil and releasing inhuman spawn. These anxieties are related to dread over women's reproductive choices, particularly abortion and new Assisted Reproductive Technologies (ARTs). In films such as Rosemary's Baby (1968), The Astronaut's Wife (1999), Species (1995), and Splice (2009), the possibility of women giving birth to nonhuman species threatens the entire human race; this threat of animality and hybridity generally display anxieties about new reproductive technologies, “octomoms,” and fears of miscegenation.

Keywords:   pregnant horror films, reproductive choices, abortion, Assisted Reproductive Technologies, hybridity, octomoms, miscegenation

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