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Beyond SinologyChinese Writing and the Scripts of Culture$
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Andrea Bachner

Print publication date: 2014

Print ISBN-13: 9780231164528

Published to Columbia Scholarship Online: November 2015

DOI: 10.7312/columbia/9780231164528.001.0001

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PRINTED FROM COLUMBIA SCHOLARSHIP ONLINE (www.columbia.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CUPSO for personal use.date: 23 June 2021

Introduction

Introduction

Script Politics

Chapter:
(p.1) Introduction
Source:
Beyond Sinology
Author(s):

David Der-wei Wang

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231164528.003.0006

This introductory chapter begins with an analysis of the reinvention of the Chinese script during the opening ceremony of the 2008 Olympic Games in Beijing. It suggests that the performance of Chinese writing during the Beijing Olympics was not a reinvention of the script but rather an attempt at changing the ways in which we visualize its medial form. The chapter then sets out the book's purpose, namely to analyze how the Chinese script, the sinograph, has been imagined in recent decades in literature and film, visual and performance art, design, and architecture, both within Chinese cultural contexts and in different parts of the “West.” By tracing the most recent part of a long, multifaceted script history, the book uses the sinograph to analyze what binds languages, scripts, and medial expressions to cultural and national identity. It is a case study of the ways in which the confluence of the digital media revolution and the reshaping of global power structures impacts our understanding of the Chinese script in particular and of writing in general. An overview of the subsequent chapters is also presented.

Keywords:   Chinese script, Chinese writing, sinograph, digital media, script history, cultural identity, national identity

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