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Crowds and DemocracyThe Idea and Image of the Masses from Revolution to Fascism$
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Stefan Jonsson

Print publication date: 2013

Print ISBN-13: 9780231164788

Published to Columbia Scholarship Online: November 2015

DOI: 10.7312/columbia/9780231164788.001.0001

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PRINTED FROM COLUMBIA SCHOLARSHIP ONLINE (www.columbia.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CUPSO for personal use.date: 15 June 2021

Coda

Coda

Remnants of Weimar

Chapter:
(p.247) 5 Coda
Source:
Crowds and Democracy
Author(s):

Stefan Jonsson

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231164788.003.0005

This Coda summarizes the book's main themes and presents some final thoughts. This book has engaged critically with the idea and image of the masses in interwar European culture, focusing on Germany and Austria. It argues that “the masses” was an organizing term for so many cultural, intellectual, and aesthetic endeavors of the period. The term may be seen as a secret code helping us to link seemingly unrelated social, political, ideological, artistic, scholarly, and cultural discourses, thus allowing us to diagnose the common fracture within them—the fracture of breakdown and defeat that generated restless searches for new forms and concepts, as well as reactionary reactivations of old ones, in the hope of reconstituting society under conditions of modernity.

Keywords:   the masses, interwar period, European culture, Germany, Austria, Europe

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