- Title Pages
- Title Pages
- Title Pages
- Illustrations
- To Iris Barry (1895–1969)
- Credits
- Previews
-
1 Early Years -
2 “We Enjoyed the War” -
3 “Dear Miss Barry” -
4 The Other Bloomsbury -
5 Life with Lewis -
6 Children -
7 Alan Porter -
8 The Spectator -
9 Splashing into Film Society -
10 Cinema Paragons, Hollywood, and Lady Mary -
11 Let’s Go to the Pictures -
12 Victory and Defeat -
13 America -
14 The Askew Salon -
15 Museum Men -
16 Remarriage -
17 Settling In -
18 Cracking Hollywood -
19 Art High and Low -
20 On to Europe -
21 Going Public -
22 The Slow Martyrdom of Alfred Barr -
23 Meanwhile, Back at the Library -
24 New Work, Old Acquaintances -
25 “The Master” and his Minions -
26 Temora Farm -
27 The Museum Enlists -
28 Mr. Rockefeller’s Office -
29 L’Affair Buñuel -
30 The Other Library -
31 Divorce -
32 Postwar Blues -
33 Abbott’s Fall -
34 Hospital -
35 Departure -
36 La Bonne Font -
37 Things Past -
38 The Austin House -
39 Readjustments -
40 New York and London -
41 Final Breaks -
42 The End - Sequel
- Sources
- Index
Hospital
Hospital
- Chapter:
- (p.345) 34 Hospital
- Source:
- Lady in the Dark
- Author(s):
Robert Sitton
- Publisher:
- Columbia University Press
This chapter describes Iris Barry's major health crisis at end of the 1940s. It is unclear exactly what brought her to the hospital in February of 1949. Perhaps, since she alludes to having had a curettage, it was a polyp removal or possibly an abortion, although the latter was unlikely at her age. She was 54. But while her health was unstable, her career was receiving a welcome boost. Near the end of her stay at Doctors Hospital, Iris received some unexpected news from the French Ambassador in the United States that she had been nominated “Chevalier” in France's National Order of the Legion of Honor. Iris had coordinated with Henri Langlois of the Cinémathèque Française to integrate France into the international film archiving community through the International Federation of Film Archives. Langlois had personally protected many films during the German occupation and made his collection available to Iris, just as Iris had made Museum of Modern Art's films available to him. Many of the films coming from America and shown at the Langlois Cinémathèque influenced the generation of French filmmakers of the New Wave of the 1960s. And many of the titles Iris preserved from France otherwise suffered during the Nazi occupation.
Keywords: health crisis, Chevalier, France, International Federation of Film Archives, Henri Langlois, Cinémathèque Française
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- Title Pages
- Title Pages
- Title Pages
- Illustrations
- To Iris Barry (1895–1969)
- Credits
- Previews
-
1 Early Years -
2 “We Enjoyed the War” -
3 “Dear Miss Barry” -
4 The Other Bloomsbury -
5 Life with Lewis -
6 Children -
7 Alan Porter -
8 The Spectator -
9 Splashing into Film Society -
10 Cinema Paragons, Hollywood, and Lady Mary -
11 Let’s Go to the Pictures -
12 Victory and Defeat -
13 America -
14 The Askew Salon -
15 Museum Men -
16 Remarriage -
17 Settling In -
18 Cracking Hollywood -
19 Art High and Low -
20 On to Europe -
21 Going Public -
22 The Slow Martyrdom of Alfred Barr -
23 Meanwhile, Back at the Library -
24 New Work, Old Acquaintances -
25 “The Master” and his Minions -
26 Temora Farm -
27 The Museum Enlists -
28 Mr. Rockefeller’s Office -
29 L’Affair Buñuel -
30 The Other Library -
31 Divorce -
32 Postwar Blues -
33 Abbott’s Fall -
34 Hospital -
35 Departure -
36 La Bonne Font -
37 Things Past -
38 The Austin House -
39 Readjustments -
40 New York and London -
41 Final Breaks -
42 The End - Sequel
- Sources
- Index