Jump to ContentJump to Main Navigation
Learning to KneelNoh, Modernism, and Journeys in Teaching$
Users without a subscription are not able to see the full content.

Carrie J. Preston

Print publication date: 2016

Print ISBN-13: 9780231166508

Published to Columbia Scholarship Online: January 2017

DOI: 10.7312/columbia/9780231166508.001.0001

Show Summary Details
Page of

PRINTED FROM COLUMBIA SCHOLARSHIP ONLINE (www.columbia.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CUPSO for personal use.date: 28 June 2022

Noh Circles in Twentieth-Century Japanese Performance

Noh Circles in Twentieth-Century Japanese Performance

(p.163) 5. Noh Circles in Twentieth-Century Japanese Performance
Learning to Kneel

Carrie J. Preston

Columbia University Press

Modernist noh, including Pound’s mis-translations and Ito’s translation of Hawk’s Well, influenced scholarship and performance in Japan. Tracing this circular cultural exchange demonstrates the inadequacy of most accounts of Japanese modernism and its opposition to the traditional arts.

Keywords:   noh unities, shingeki, Japanese film, Ozu Yasujirō, Takahime, Yokomichi Mario

Columbia Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us .