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Guilty Knowledge, Guilty PleasureThe Dirty Art of Poetry$
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Guilty Knowledge, Guilty Pleasure: The Dirty Art of Poetry

William Logan

Print publication date: 2014

Print ISBN-13: 9780231166867

Published to Columbia Scholarship Online: November 2015

DOI: 10.7312/columbia/9780231166867.001.0001

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PRINTED FROM COLUMBIA SCHOLARSHIP ONLINE (www.columbia.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CUPSO for personal use.date: 21 June 2021

Heaney’s Ghosts

Heaney’s Ghosts

Chapter:
(p.135) Heaney’s Ghosts
Source:
Guilty Knowledge, Guilty Pleasure
Author(s):

William Logan

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231166867.003.0012

This chapter reviews Dennis O'Driscoll's Stepping Stones: Interviews with Seamus Heaney. The interviews, which took place mostly on pen and paper, over the course of six years, provide a tour of Heaney's childhood and poetic career. Heaney has been called the finest Irish poet since Yeats—with the not-so-sly implication that he's not as good as Yeats. The book underscores how much a poet like Heaney is used by his past to make its claim, but perhaps no book can explain the indelible mystery of his work. The secret can't be found in interviews, because they are the wrong place to look. In the end, this interminable inquisition does what it should—it sends you back to the poetry, the poetry of a man who has lived in the rectitude of language and the doubts of the tongue.

Keywords:   Seamus Heaney, poets, poetry, interviews, Dennis O'Driscoll, review

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