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Love in MotionErotic Relationships in Film$
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Reidar Due

Print publication date: 2013

Print ISBN-13: 9780231167338

Published to Columbia Scholarship Online: November 2015

DOI: 10.7312/columbia/9780231167338.001.0001

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PRINTED FROM COLUMBIA SCHOLARSHIP ONLINE (www.columbia.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CUPSO for personal use.date: 27 June 2022

Categories of Film Love

Categories of Film Love

Chapter:
(p.13) Categories of Film Love
Source:
Love in Motion
Author(s):

Reidar Due

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231167338.003.0002

This chapter examines the different ways films encounter love aesthetically. The aesthetic and narrative differences between schools of filmmaking and between individual directors lead to different categorizations of love. Films such as Michael Powell and Emeric Pressburger's A Matter of Life and Death and Josef von Sternberg's Shanghai Express present the moral complexity of love. In David Lean's Brief Encounter, romantic feelings and desires are crushed by social obstacles. The spy film Russia House shows that love in film is not limited to the moral sphere but is now articulated within a world of political relations. On the other hand, Peter Greenway's The Draughtsman's Contract portrays a world in which all human relations are based on power, and all human motivations are expressions of a particular material, erotic, or social interest.

Keywords:   film love, A Matter of Life and Death, Shanghai Express, moral complexity, Brief Encounter, social obstacles, Russia House, political relations, The Draughtsman's Contract, power

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