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Love in MotionErotic Relationships in Film$
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Reidar Due

Print publication date: 2013

Print ISBN-13: 9780231167338

Published to Columbia Scholarship Online: November 2015

DOI: 10.7312/columbia/9780231167338.001.0001

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PRINTED FROM COLUMBIA SCHOLARSHIP ONLINE (www.columbia.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CUPSO for personal use.date: 04 July 2022

Conclusion

Conclusion

On Method

Chapter:
(p.155) Conclusion
Source:
Love in Motion
Author(s):

Reidar Due

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231167338.003.0011

This concluding chapter discusses the methodology of the book. The method of this aesthetic enquiry into the history of film form is grounded in ethical, ontological, and semiotic considerations. The analysis of individual directors and films has taken an interpretative form. Apart from its discussion of the ontology and ethics of love, this study proposes an aesthetic theory of film and a semiotic method of analysis. The method of this study is a conceptual framework that singles out a certain number of expressive and signifying elements in film, and discusses how these elements are brought together, and how they become part of an aesthetic synthesis. The book closes with a series of aphorisms or paradoxes that express what love is.

Keywords:   methodology, history of film, ontology of love, ethics of love, aesthetic theory, semiotic method

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