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The Cinema of Michael WinterbottomBorders, Intimacy, Terror$
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Bruce Bennett

Print publication date: 2013

Print ISBN-13: 9780231167376

Published to Columbia Scholarship Online: November 2015

DOI: 10.7312/columbia/9780231167376.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
The Cinema of Michael Winterbottom
Author(s):

Bruce Bennett

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231167376.003.0001

This first chapter introduces Michael Winterbottom’s cinema. One of the characteristic features of Winterbottom’s films is a self-conscious and sophisticated attention to the film image as well as to the mediating processes of contemporary culture. Rather than simply adopting and refining the formal and narrative conventions of mainstream film and television, his body of work displays a restless, playfully heterogenous and experimental audio-visual style in its representation of this world. Thus, his films frequently cross the boundaries between apparently distinct or incompatible genres, breaching the systems of expectation that they comprise. Also, Winterbottom’s work demonstrates a consistent concern with the political potential of popular film and, to lesser but nonetheless significant extent, television.

Keywords:   Michael Winterbottom, film image, mediating processes, contemporary culture, experimental filmmaking

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