- Title Pages
- Note on Transliteration
- One Introduction
- Two Ang Lee as Director
- Three Confucian Values and Cultural Displacement in <i>Pushing Hands</i>
- Four Transgressing Boundaries of Gender and Culture in <i>The Wedding Banquet</i>
- Five Globalization and Cultural Identity in <i>Eat Drink Man Woman</i>
- Six Opposition and Resolution in <i>Sense and Sensibility</i>
- Seven Fragmentary Narratives/Fragmented Identities in <i>The Ice Storm</i>
- Eight Race, Gender, Class, and Social Identity in <i>Ride with the Devil</i>
- Nine <i>Wuxia</i> Narrative and Transnational Chinese Identity in <i>Crouching Tiger, Hidden Dragon</i>
- Ten The Ultimate Outsider
- Eleven Transcending Gender in <i>Brokeback Mountain</i>
- Twelve Eroticism and Performance in <i>Lust/Caution</i>
- Thirteen Memory, Narrative, and Transformation in <i>Taking Woodstock</i>
- Fourteen Storytelling and Truth in <i>Life of Pi</i>
- Fifteen Conclusion
- The Cinema of Ang Lee
- Columbia University Press
Columbia Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us .