- Title Pages
- One Contemporary Art Does Not Account for That Which Is Taking Place
- Two Projection and Parallelism
- Three Art as a Pile
- Four 1820: Erasmus and Upheaval
- Five ASAP Futures, Not Infinite Future
- Six 1948: B. F. Skinner and Counter-Revolution
- Seven Abstract
- Eight 1963: Herman Kahn and Projection
- Nine The Complete Curator
- Ten Maybe It Would Be Better If We Worked in Groups of Three?
- Eleven The Return of the Border
- Twelve 1974: Volvo and the Mise-en-Scène
- Thirteen The Experimental Factory
- Fourteen Nostalgia for the Group
- Fifteen Why Work?
- Industry and Intelligence
- Columbia University Press
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