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Film ProgrammingCurating for Cinemas, Festivals, Archives$
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Peter Bosma

Print publication date: 2015

Print ISBN-13: 9780231174596

Published to Columbia Scholarship Online: November 2015

DOI: 10.7312/columbia/9780231174596.001.0001

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PRINTED FROM COLUMBIA SCHOLARSHIP ONLINE (www.columbia.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CUPSO for personal use.date: 22 September 2019

Reflection

Reflection

Chapter:
(p.5) 1 Reflection
Source:
Film Programming
Author(s):

Peter Bosma

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231174596.003.0001

This chapter defines the fundamental concepts that are explored throughout the book. The term ‘film’ refers to the phenomenon of a public screening of a film for a paying audience in a film theatre, at a film festival, in a film archive, or elsewhere. A ‘film theatre’ is a venue for film screening through the year, while a ‘film festival’ is a temporary series of film screenings and side programmes presented as a unified event. On the other hand, a ‘film archive’ is an institution dedicated to conserving, preserving, and restoring film heritage. The term ‘film curator’ is used to indicate the person who compiles a film programme, and the term ‘film programmer’ is frequently used in the international film industry. The curator's goal is to obtain a measure of critical acclaim, and provide the highest possible customer satisfaction.

Keywords:   film theatre, film festival, film archive, film curator, film programmer, film screenings

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