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After UniquenessA History of Film and Video Art in Circulation$
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Erika Balsom

Print publication date: 2017

Print ISBN-13: 9780231176934

Published to Columbia Scholarship Online: January 2019

DOI: 10.7312/columbia/9780231176934.001.0001

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PRINTED FROM COLUMBIA SCHOLARSHIP ONLINE (www.columbia.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CUPSO for personal use.date: 02 August 2021

The Limited Edition

The Limited Edition

Chapter:
(p.127) 5 The Limited Edition
Source:
After Uniqueness
Author(s):

Erika Balsom

Publisher:
Columbia University Press
DOI:10.7312/columbia/9780231176934.003.0006

This chapter examines the history of the predominant model for the distribution of artists’ moving image today. This chapter traces out the history of this distribution model from the late nineteenth century to the present and offers hypotheses concerning its steps towards success in the 1990s. It explores the relationship between the limited edition model and the rental model of the cooperatives, outlines the various criticisms this artificial rarity has provoked, and discusses the possible benefits it might have for artists and collectors.

Keywords:   art market, rarity, authenticity, certification, museum, scarcity

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